The Cameras Behind Sundance Film Festival 2022 January 27, 2022.SIGMA Announces Major Firmware Update for the fp L Full-Frame Camera January 28, 2022.Editing Sundance 2022’s Films: Meet Editor Lam T.World’s First RED V-Raptor 8K Aerial Camera Array January 31, 2022.Newest NVIDIA RTX Studio Laptops (3080) Defeat M1 Max MacBook Pro in High-FPS R3D Editing February 1, 2022.Sundance 2022 Cinematography: Combining Film Emulation With Modern Cinema Cameras February 2, 2022.Is This the Next Canon Boxy Cinema Camera? Because it Looks Identical to the RED Komodo… February 2, 2022.Sundance 2022’s Films: Meet Cinematographer Tyler Maddox February 3, 2022.Have you transcoded Cinema RAW Light into ProRes 4444 before? Let us know in the comments section below. Seems that Canon has released this video (watch above) in order to emphasize that there are other alternatives besides Cinema RAW Light and the MP4 8 bit in-camera options, by utilizing Canon free software. However, it’s important to note that you can always use the Cinema RAW Development in order to create very high quality ProRes 4444 from the Cinema RAW Light, when a maximum post flexibility is needed. The Cinema RAW Development software is dedicated for developing, playing back, and exporting the RAW clips captured with Canon’s digital cinema cameras. You can also use Canon’s free Cinema RAW Development application for macOS and Windows. SanDisk Extreme PRO CFast 2.0 Reader/Writer Canon Cinema RAW Development The transcoding process can be done by using any of your preferred application (Adobe Media Encoder or Apple Compressor). CFast Reader: an effective transformation routeĬFast Reader is an effective way to transfer data from your CFast card. This action will resulted in decent files that are good enough for workflow, and also will save some precious space at the same time. Therefore, it will be more logical to transcode the RAW files into ProRes 422, 422 HQ or Avid file format directly from the card during the process. It’s suggested to transform the video files from the CFast to an external hard drive instead of storing all that high rate data. Therefore, there is a constantly need to transform the data from the card into an external hard drive, even during production. However, this RAW codec causes to an extremely high file size (15 minutes for 128GB). The Canon Cinema C200 is capable of shooting Cinema RAW Light 12-Bit internally on a CFast card. Transcoding Options for Canon C200 Heavy Cinema RAW Light to lighter ProRes Canon USA released today a tutorial which demonstrates how to transform (or transcode) the data-hungry Cinema RAW Light into other high quality 4:2:2 10-bit alternatives, with a few simple steps and a free software.
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